Better Left Unsaid, a story for #FridayFlash

“It’s the job,” she’d say, when Tchaikovsky announced a text. Better not to say someone’s dead; they either already knew or they’d never get it.

“I’ll be back when I can.” She’d step out carrying her go bag and never saying if I survive. If they understood already, it was cruel. If they didn’t, it was crueler.

“It was hard,” returning, never filling in the gory details, the struggle to pull herself back to humanity, the blood that never totally washed out. If they’d asked, they already knew.

“I’ve got to go:” never even hinting at the pain of being so close to someone so human.


From [community profile] dailyprompt, 2014-08-21: “things that are better left unsaid”.
For #FridayFlash; I wasn’t satisfied with my last piece so voila
This riffs off of Entanglement from #3ww

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The Aunt Family – a Welcome

The family – Evangaline’s family, Beryl’s family, the family – has known how to use power for a very long time. They’ve known who should have power, too – them, of course, and preferably nobody else.

It’s a big family, but there’s a lot of power to be had; they’ve been collecting it for quite a while.

And, because they understand – through hard experience, in some cases – what happens if you hold power without paying sufficient attention to it, the family condenses that power into one person in each branch of the family, an unmarried, childless woman who has, so the theory goes, no distractions from her power. Because the family is not known for its creativity, they call this woman the Aunt – and she is always a niece of the former Aunt.

Evangaline has recently taken on the mantle of the Aunt, but the family is already guessing that her teenage niece Beryl will be the next one to wear the mantle.

The “Aunt Family” setting is rural modern fantasy, set in an unnamed town where the family’s reputation has, over the generations, gotten around. The magic is quiet, but nobody really doubts that it’s there.

The Aunt Family Landing Page is here.

BerylEvaRuan

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Friday Flash/Djinni Icon Flash: Like This and Like That

“This is the dance.” Senna took Autumn’s hands. “Your feet go like…” She hitched up her skirts to show her bare toes. “This and then this and then this.”

“Like, ah…” Autumn tried the steps. “This and then this, and then this and this?”

“Almost!” Senna grinned and showed off the steps again. “This and then this and so on.”

“This and then this…” Autumn found herself singing it. “Then this and so on. Senna, you’re a genius.”

“I’m a genius? It’s a dance.” The dance-mistress’ feet moved in a more complicated pattern this time, and her skirts swished against her knees.

“You’re a genius. It’s a song.” More than a song, it was a knot. “It’s a song to the universe.”

Autumn shifted her vision sideways, to the place where the strands of the world lay bright against the void. “‘Like this and like that and like this and uh…'” Her steps twined in the strands; Senna’s steps twisted in the lines, and together they made a beautiful macrame of connections. “Genius. This is the dance.”


Useful setting information: The strands, in this ‘verse, connect everything, and are created by connections between people or between things.

Want more Stranded World? Check out the landing page here.

Written for Friday Flash and in a quest to write a flash to every one of the icons Djinni has drawn for me.

“Like this and like that and like this and uh…” is from Dr. Dre’s Nuthin but a G thang.

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The Heritage that Wasn’t

To [personal profile] silveradept‘s prompt


It was supposed to work. It was supposed to be right.

Jen’s mother was a kitsune. Her grandmother was a kitsune. Her grandmother’s mother, and her mother, and her mother, they had all been kitsune, as far back as history went and further.

There were no fathers in the history, which Jen had always felt unfair. Her father had, after all, raised her, as her mother’s father had raised her, and so on. The women in Jen’s family did not stay. They weren’t tame, after all.

They didn’t stay, and they didn’t teach. They left a letter. At least, Jen had been given a letter when she turned fifteen. In the envelope – which her father had been saving since he first discovered he had a daughter – was not only the letter her mother had written her, but the letter her mother had written her, and so on, and so on. The letters went back not nearly as far as the history, of course, and the last ones were crumbling and yellow. but they all said almost the same thing.

Your mother is a kitsune, and that means you will be as well… The kitsune are wild and do not stay, but we always pass on our genes… one daughter and one daughter only… do well, my daughter. Thrive.

The letters had come with her when she & her father went off-planet; they took up less than 4 oz. of her weight allowance, but weighed her down with the expectations of ages. “…One daughter and one daughter only…” Kitsune found their fox by the time they were sixteen or seventeen, maybe eighteen or nineteen.

Jen’s twenty-first birthday was on her, and there was no fox, nothing but a girl with an envelope full of ancient letters.

Next: A Heritage Earned

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It’s not the Prom

To Three-Word-Wednesday (Today’s words are Bribery, clobber, skeptical).

“No, no, not like that.” Anna leaned forward to grab Joachim’s shoulders. “No. You don’t want to clobber them over the head with it.”

Joachim twitched at the grab. “What am I supposed to do, sing them a love song? It’s bribery, not the prom.”

“It’s both of those things, exactly. Thank you, Aaron. I’ll take over.” Anna shooed the older man away with a flap of her hand. “This is how we do this.” She stepped into Aaron’s place. “Greetings, Mr. Todleron. How can I help you tonight?”

The boy twisted his face up. “Anna, I don’t think this is going to work.”

“No, no, who is this Anna? I am Karl Brust, and I run the store here. How can I help you this evening, Mr. Todleron?”

“Really?” The kid had gone beyond skeptical and into flat-out doubtful, but he still held out his hand and squeezed Anna’s. He got just the right amount of tension – not too tight, not too loose. If only he could do the rest of the routine that easily. “Mr. Brust, so nice to finally meet you.” He dropped into character fine. He’d always had that part down pat. “I was wondering if I could impose on you, just a little bit…”

“It’s a lovely night, wouldn’t you say? More small talk, Mr. Todleron. Remember that this is a date, not a snatch-and-grab. Caress him with your words.”

“Your eyes are beautiful, Mr. Brust.” Joachim smirked. “And the moon, too, is quite pretty.” His voice dropped in pitch, and he stepped up against Anna as he pulled her in. “But your lips are prettier still.”

And his eyes, Anna noted, were quite pretty. Why had she never…

“I’d say you’ve gone all the way out the other side to ‘clobber’ again.” Aaron’s dry voice broke the mood. “What was the line? This is bribery, kid, not your prom.”


Done with Wednesday? Check out Thimbleful Thursday!

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Safety, a continuation of Fae Apoc for the Giraffe Call (@rix-Scaedu)

To [personal profile] rix_scaedu‘s commissioned Continuation of Wildlife Refuge

“Why did you decide to go with the whole… ah… half-humanoid theme?” The faun-showing had been enough to get Capri in the second gate, as a temporary member of the Refuge. The walls looked sound, and the people inside – none Masked, so Capri, pants back up, also stayed sans Mask – seemed relaxed, so it was possible that either the Fomoire hadn’t made it this far south, or they just couldn’t get into the refuge. For the moment, Capri was safe.

Even more of a relief, the giraffe-taur at the gate hadn’t cared what else Capri had under the pants, as long as the legs were – as they were – animal. Capri had gotten a bracelet that was supposed to be a gate-pass, and then the ’taur had called over an Urmahlullu, Holly, to act as tour guide.

The parts of Holly that were human – her torso, her arms, and her head – were beautiful, with olive-brown skin and long black hair. The rest of her, the lioness body and legs, was… very differently beautiful.

Not like Capri could talk, not with the lower half of a goat. “I mean… I’m not sure who decided, but I guess the sign at the door is pretty clear.”

Holly twisted her whole human torso to look at him, while the lion legs kept walking forward. “Have you lived among humans?”

“Yeah? Of course?” Capri found that slowing was inevitable. Something in the brain couldn’t cope with someone going two directions at once.

“Then you understand how cruel they can be.”

“I… yes.” Capri had encountered cruel humans, although generally the half-goat-half-human part had not been their first target.

“You have lived among purebreeds?”

“What, me?” Capri swallowed a laugh. “Just ’cause they think the fauns and satyrs are descended from the Daeva doesn’t mean they want to be our friend.”

“Then you definitely understand how cruel they can be.”

“There are other half-breeds, though…” Capri could already see where this was going.

“And they, too, have their cruel moments. Or would you tell me that they do not?”

“No, no. I haven’t met any group yet that isn’t sometimes cruel.” Capri thought fast. “And especially ’taurs, it’s got to be tricky getting people to understand.” I skid on linoleum, thanks had been hard enough for Capri to thump into people’s heads.

“So here we are.” Holly gestured around the complex. “A place where being half-human, half-beast, and entirely Ellehemaei is understood. Cabins that are built to accommodate us. A no-taunting rule strictly enforced. Meal schedules that allow for issues such as four stomachs or a hibernatory pattern. This is a refuge.” She sounded so beatific, Capri expected to see a halo over her head. “And we can truly be safe and protected here.”

“From, ah, things like the monste-”

“We don’t use that word here.”

“Of course not. Things like the – can I say Nedetakaei?” If that one was out, Capri better think about running, and hoping ’taurs couldn’t run faster than fauns.

“That’s acceptable.”

“Nedetakaei, then, the creations the returned gods left behind, human hunters…”

The look the Urmahlullu was giving Capri was… worrisome. “We’re safe here.” Something about the way she said it rang of finality.

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Meeting the Archmage, a story (Of the Circled Plain) for the Giraffe Call

To Skan’s Prompt

“Hello? Hello, Archmage? I’m Tad, I’m here for my apprenticeship…”

The cabin was, the way things were, a hermitage, stuck halfway up the side of a mountain. Tad’s family had dropped her off this morning at the base of the stairs, if you could call them stairs. Once she stepped on the first uneven cut of stone, she was no longer theirs. She belonged to the Archmage now.

Except that the Archmage was supposed to be here, in this cabin, and as far as Tad could tell, there wasn’t anyone here. The fire was still going in the stove, but you could do that with magic, couldn’t you? “Hello? Archmage, sir, ma’am, ix?”

“Here.” The voice was coming from near the fire. From the fire itself? Tad had heard of those who got devoured by the Flow, but not like… not like that, surely? “Look down, child.”

Tad looked down – and jumped back, grabbing for a shepherd’s crook she no longer carried. There was a mountain lion staring at her from the fire-rug.

The mountain lion yawned. “Surely you have seen a mountain lion before?”

The cat… was talking to her. Tad slapped her forehead with her palm. “Sir-ma’am-Ix…” Was that what she would become?

“Sit down, child. The Flow changes everyone differently, and there are many stories I will tell you about that, as our years together continue. But at this moment, I want you to tell me a story.

“Archmage, sir-ma’am-ix?”

“Ma’am will do. I haven’t thought about it in a while… so tell me, Tad, how you got old enough to be an apprentice with a name as short as Tad.


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Micro-Housing becoming a trend fascinates me

Hattip to stryck, who RT’d this tweet:

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I did a little quick googling, and found this article – from USA Today – about micro-apartments.

Like Tiny Homes, I find the concept fascinating (microapartments are a much more efficient use of space/walls, of course, because they can be stacked, but you lose out on window-walls and green space) – though I’m a little amused at myself for this fascination just a couple years after moving into our Biggest Place Ever (I mean, it’s about 1700 sq. feet + a garage-barn, but still. The last place came in around 700 square feet).

There’s not a lot of point to this blog post, just, hey, thing I find neat is trending.

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Giraffe Commission Rate Window AND September Theme Voting Window Almost Closed…

I have three prompts to go on my Giraffe Call, after which the Giraffe-Call discounted rate (1 cent/word) will be closed until the next Giraffe Call.



Tips currently stand at $14 from the commission-a-piece-of-art level.

AND

The September Theme Poll will close Thursday the 4th at noon EDT. If you want a vote, you have to be a be a Patreon Patron at the $5 level or higher or donate (or have donated in August) $5 or more via paypal.

Want to kill 2 birds with one stone? Commission a piece of fiction from the Giraffe Call, get a vote, AND gets some nice, cheap fiction!


Closed!

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